Word and Spirit in Conversion

Calvin05John Hendryx writes, “The following is an expression of the extraordinarily balanced understanding of John Calvin with regards to the work of the Holy Spirit in bringing persons to faith through the preaching of the gospel. Commenting on Acts, it shows the outworking of God’s plan through the agency of men in casting forth the seed of the gospel, which, the Bible testifies, can only be responded to when germinated (so to speak) by the Holy Spirit. The Scripture testifies that the word alone is not enough to enter and change the heart of natural man (who is hostile to God’s word) but that the heart must be opened and the mind illumined by the concurrent work of the Spirit. An biblical example of this can be found in 1 Thes 1:4, 5. “For we know, brothers loved by God, that he has chosen you, because our gospel came to you not only in word, but also in power and in the Holy Spirit and with full conviction…””

The Necessity of Word & Spirit in Conversion by John Calvin

“One who heard us was a woman named Lydia, from the city of Thyatira, a seller of purple goods, who was a worshiper of God. The Lord opened her heart to pay attention to what was said by Paul.” Acts 16:14-15

Now when in fact only one hears attentively and effectively, could it not have appeared that the way was blocked for Christ to make an entry? But afterwards from that frail shoot a famous church sprang up, whose praises Paul sings in splendid terms. Yet it is possible that Lydia had some companions, of whom no mention is made, because she herself far surpassed them. Yet Luke does not attribute the cause for this one woman having shown herself docile, to the fact that she was sharperwitted than the others, or that she had some preparation by herself, but says that the Lord opened her heart, so that she gave heed to Paul’s words. He had just praised her piety; and yet he shows that she could not understand the teaching of the Gospel without the illumination of the Spirit. Accordingly we see that not only faith, but also all understanding of spiritual things, is a special gift of God, and that ministers do not accomplish anything by speaking, unless the inward calling of God is added at the same time.

By the word heart Scripture sometimes means the mind, as when Moses says (Deut. 29:4), ‘until now the Lord has not given you a heart to understand.’ So also in this verse Luke means not only that Lydia was moved by the inspiration of the Holy Spirit to embrace the Gospel with a feeling of the heart, but that her mind was illuminated to understand. We may learn from this that such is the dullness, such the blindness of men, that in hearing they do not hear, or seeing they do not see, until God forms new ears and new eyes for them.

But we must note the expression that the heart of Lydia was opened so that she paid attention to the external voice of a teacher. For as preaching on its own is nothing else but a dead letter, so, on the other hand, we must beware lest a false imagination, or the semblance of secret illumination, leads us away from the Word upon which faith depends, and on which it rests. For in order to increase the grace of the Spirit, many invent for themselves vague inspirations so that no use is left for the external Word. But the Scripture does not allow such a separation to be made, for it unites the ministry of men with the secret inspiration of the Spirit. If the mind of Lydia had not been opened, the preaching of Paul would have been mere words; yet God inspires her not only with the mere revelations but with reverence for His Word, so that the voice of a man, which otherwise would have vanished into thin air, penetrates a mind that has received the gift of heavenly light.

Therefore let us hear no more of the fanatics who make the excuse of the Spirit to reject external teaching. For we must preserve the balance which Luke established here, that we obtain nothing from the hearing of the Word alone, without the grace of the Spirit, and that the Spirit is conferred on us not that He may produce contempt of the Word, but rather to instill confidence in it in our minds and write it on our hearts.

1 From Calvin, John. The Acts of the Apostles. 2 vols. Trans. by John W. Fraser and W.J.G. McDonald. Ed. by David W. Torrance and Thomas F. Torrance. Grand Rapids, MI: Eerdmans, 1965.

Why the “original” version does not work

Andy@Musicademy has written a very helpful and practical article entitled “10 reasons why the ‘original’ version of a worship song won’t work in your church.” He mostly from an album or a live version from a conference on YouTube. But most of the time these arrangements have at least one element that makes them completely unusable for normal churches. So here are a few ideas that’ll help you make songs more usable.

They are in the wrong key for your congregation
Let’s start with the single biggest reason why your congregation won’t be able to sing an ‘original’ version. Album and even definitive live versions of worship songs are arranged in keys that suit the lead singer’s or the artist’s voice, NOT the congregation’s range. Albums have to be great to listen to and the vocal has to be the strongest it can be, therefore from a listening perspective it has to be in the artist’s strongest key, which 9 times out of 10 isn’t the most suitable key for a congregation because the key needs to be a compromise between stereotypical male and female vocal ranges. Broadly speaking, songs with male vocals are often 2-3 semi tones too high and songs with female vocals are (less) often 2 semi tones too low.

Octave jumps simply don’t work
Octave jumps are great tools to make songs dynamically exciting. They work great for radio where you need a big lift to keep the listener interested, BUT, whenever a song has an octave leap you alienate one or other gender in your congregation and 50% of them will either stop singing or sound like they’ve inhaled a helium balloon. So, if you genuinely want to encourage participation, don’t do octave leaps. That will probably mean moving the key down a minor or major third, but if you want more participation make it more singable for more people, more of the time.

Intros are too long
There are lots of worship songs with 8, 16 or even 32 bar intros that build a sense of dynamic anticipation. These can work at huge conferences and worship concerts but let’s remember the entire point of congregational worship is maximum congregational involvement. If they have to wait around while the band enjoys a long intro they will disengage. Then the intro really becomes much more about the band’s enjoyment rather than the congregation’s participation. Try to make intros as succinct as possible just to establish the tempo, groove and where to come in. So most of the time 2 or 4 bars is plenty. Continue reading