“Worship is deformed when it becomes vicarious performance rather than congregational and participational.” – Sinclair Ferguson
The following article is by Mike Raiter, Director of the Centre for Biblical Preaching in Melbourne. He was formerly Head of Missions at Moore College and, more recently, Principal of Melbourne School of Theology. Mike spent 11 years working in Pakistan, largely in theological education. He is married to Sarah and they have 4 children (Joel, Nate, Pippa and Lauren). He is the author of over 35 books and articles, most notably the 2004 Australian Christian Book of the Year, Stirring of the Soul. (original source here)
Here is a great historical irony. Fifty years ago choirs ruled the church. Usually, they were supported by a very loud organ. To be frank, many choir members were performers, and when the choir was large they drowned out the singing of the congregation. So, sadly, the very people appointed to help the congregation sing actually smothered congregational singing. Bit by bit, choirs disappeared. I think most churches didn’t mourn the loss.
Here’s the irony: we then replaced the choirs with song leaders (or, what we inaccurately call ‘worship leaders’). Over time the number of song leaders grew and grew until they became as big as a choir. Then we gave the song leaders full-volume microphones and electrical instruments, and many became performers. When the music team was large and the microphones were turned up they drowned out the congregation. So, sadly, the very people appointed to help the congregation sing actually smothered congregational singing.
A few years ago I wrote an article entitled, ‘The Slow Death of Congregational Singing’ (The Briefing, April 2nd, 2008). I now believe my title was too generous. In fact, what we are witnessing in our churches is ‘The Slow Killing of Congregational Singing’.
I’ve just returned from another National Christian conference. Never have so many people complained to me about the singing. So, I am motivated to write again. Or, to use a more appropriate metaphor, to bang the same drum—but louder.
Paul tells us in Ephesians that we should be, “speaking to one another with psalms, hymns and spiritual songs…” (5:19). Similarly, in Colossians we are exhorted to, “teach and admonish one another with all wisdom with psalms, hymns and spiritual songs” (3:16). Singing is a corporate activity with a dual focus. We sing “to one another” and we sing “to God”. But now in many (most?) churches we are sung to by the musicians.
In the past I’ve been reluctant to accuse our worship teams of being primarily performers. I now believe I was wrong. Evidence suggests that most are performers, and the needs of the congregation they are meant to be ministering to are forgotten. Why do I say this?
Signs of Trouble
First, they don’t look at the congregation they’re meant to be leading. The musicians can, perhaps, be excused here but not the song leaders. I tell preachers I mentor there is nothing more important in delivery than eye contact. People must know that you are talking to them, and you must be able to see that they are attentive to your words. This is also true for the song leaders. Indeed, they need both eye and ear contact. Are people singing the songs they’re leading? In most cases I observe that it’s irrelevant to the song leaders whether the people are singing or not. Why? I conclude because the singing event is primarily about them.
Second, they sing new songs but don’t teach the new songs. At this conference it was announced that the next song would be a new one. At that point, the role of the song leader is to teach this song to the people. Mind you, I wonder if any of those leading singing are trained to teach new songs? This is important because a number of new songs are difficult to sing. But we were not taught the song. The band just began to play. If we were able to eventually pick it up, all well and good. If not (and in this case it seemed that many didn’t), no problem. Why? I conclude: because it’s not about the singing of the congregation it’s about the performance of the band. Continue reading

