In this excerpt from a Ligonier conference message, Alistair Begg reminds us of the importance of knowledge in worship:

Transcript

“Now we know that if the earthly tent we live in is destroyed we have a building from God, an eternal house in heaven not built by human hands.”

We know…we know.

The Christian faith engages our minds. This is something that we ought to keep reminding ourselves of, so that we don’t allow our minds to fossilize, and that we continue to be sharpened and to make progress.

I was at a church in California just a few weeks ago now—back in August I think it was, time flies—and I went there. I had a Sunday free and I was staying with friends, and I went down to the church and I was excited because I get to go now, and I don’t have to do anything at all except do whatever they tell me to do. And so I sat there and I waited for it to begin. And it was quite fascinating actually. They had big screens, and they had a clock on the screens. And when I got in it said “5 Minutes” and I had only been in about 2 seconds, and you won’t be surprised, it said “4 Minutes, 58 Seconds.” And then it counted down, and eventually it counted down, “10, 9, 8, 7, 6…”. And just right on the moment of time, the band began…and I was waiting for David Letterman at that point. I didn’t know what was going to happen next. And then eventually the band did what it did, and then the person who was to lead the praise, his opening gambit was this, “Hey! How do y’all feel this morning?” Well that was enough for me. We could have had the benediction right there that was so good. I thought, what kind of New Testament question is that? How do y’all feel this morning?

If I told you how I feel, especially in light of the last 5 minutes, you would question whether I was even a Christian at all. So don’t ask me that question. Ask me what I know. Ask me what I know. Don’t ask me what I feel about myself. Ask me what I know about God. Ask me what I know about His Word. Ask me what I know to be of verity that can deal with my soul. That’s what I need. Don’t make me sing songs about how I feel. Don’t! These silly repetitive songs again and again, ‘I just want to praise you, lift my hands and say I love you, you are everything to me’. Goodness, at half past eight on a Sunday morning I’m barely ambulatory. I can’t start there. And you want me to say that? I just kicked the dog. I don’t even have a dog. I got in an argument with someone because they took my parking space. I spilled my coffee, I didn’t read my Bible, I’m a miserable wretch, and now you want me to start here—‘how do you feel?’ I feel rotten, that’s how I feel! What do you got for me? The answer, nothing. I got nothing for you.

That’s why you have to get yourself under the control of the Scriptures. That’s why it is what we know—the verities of the Scriptures which fuel our hearts and our emotions, and lead us on. Hence, ‘praise my soul the King of heaven, to His feet thy tribute bring. Ransomed, healed, restored, forgiven. Who like thee His praise should sing?’

Okay, now we’ve got something to sing about, for we have been reminded of truth. You have been ransomed; you have been healed; you have been restored; you have been forgiven. You’re looking away from yourself now. You’re looking out and to Christ. And it is in this that we have something that fuels our praise.

Andy@Musicademy has written a very helpful and practical article entitled “10 reasons why the ‘original’ version of a worship song won’t work in your church.” He mostly from an album or a live version from a conference on YouTube. But most of the time these arrangements have at least one element that makes them completely unusable for normal churches. So here are a few ideas that’ll help you make songs more usable.

They are in the wrong key for your congregation
Let’s start with the single biggest reason why your congregation won’t be able to sing an ‘original’ version. Album and even definitive live versions of worship songs are arranged in keys that suit the lead singer’s or the artist’s voice, NOT the congregation’s range. Albums have to be great to listen to and the vocal has to be the strongest it can be, therefore from a listening perspective it has to be in the artist’s strongest key, which 9 times out of 10 isn’t the most suitable key for a congregation because the key needs to be a compromise between stereotypical male and female vocal ranges. Broadly speaking, songs with male vocals are often 2-3 semi tones too high and songs with female vocals are (less) often 2 semi tones too low.

Octave jumps simply don’t work
Octave jumps are great tools to make songs dynamically exciting. They work great for radio where you need a big lift to keep the listener interested, BUT, whenever a song has an octave leap you alienate one or other gender in your congregation and 50% of them will either stop singing or sound like they’ve inhaled a helium balloon. So, if you genuinely want to encourage participation, don’t do octave leaps. That will probably mean moving the key down a minor or major third, but if you want more participation make it more singable for more people, more of the time.

Intros are too long
There are lots of worship songs with 8, 16 or even 32 bar intros that build a sense of dynamic anticipation. These can work at huge conferences and worship concerts but let’s remember the entire point of congregational worship is maximum congregational involvement. If they have to wait around while the band enjoys a long intro they will disengage. Then the intro really becomes much more about the band’s enjoyment rather than the congregation’s participation. Try to make intros as succinct as possible just to establish the tempo, groove and where to come in. So most of the time 2 or 4 bars is plenty. Continue reading →

I am sure many people can relate to the writer of this article as he explains his journey away from using merely contemporary songs in worship.